Showing posts with label digital printing. Show all posts
Showing posts with label digital printing. Show all posts

Book Haul


Having just gone on a recent trip home it was the perfect opportunity to go and route through my big box of fashion and textile books. I always forget how many I actually have. Some (like the career ones) won't come in handy like they did in college. But some of the books I own (like the designer, picture and printing books) I know I will go to again and again to build up my knowledge. Three of the books that I have used throughout University, and mainly for my dissertation, I wanted to share and point out what they include and what's good about them. All three combined together have a wealth of know,edge within the pages and have helped me so much along the way and still continue to. Just this weekend reading through them I picked up things I forgot about, like hoe this or that dye works and what this process does to fabric.

So, which is what and what do they do? 

1. The Complete Guide to Designing and Printing - by Laurie Wisbrun 
Includes: 
- Interviews with professionals
- How to develop collections 
- Developing your market plan ~ your vision
                                               ~ your objectives. 
                                               ~ your brand personality
                                               ~ what are you selling and who to
- Trade shows ~ developing your budget
                       ~ what shows to go to and general advice 
- How to build moodboards 
- Various different patterns 
- Building colour palettes 
- Legal considerations 
- Explains Photoshop filters 
- How to create block, half drop and straight repeatson Photoshop and Illustrstor
- Explains textile dyes and inks 
- Small amount of detail on types of fabrics 
- Explains dying fabric ~ resist and vat dying 
- Hand printing ~ block and stencil 
- Screen and digital printing process 

2. Printed Textile Design - by Amanda Briggs-Goode 
Includes: 
- How to understand a design brief and how answer that brief alongside how to brainstorm
- How to categorise prints from geometric to floral etc 
- Explains the variety of printing methods ~ resist printing 
                                                                ~ woodblock printing
                                                                ~ copperplate printing 
                                                                ~ engraved roller printing 
                                                                ~ screen printing 
                                                                ~ heat transfer printing 
                                                                ~ digital inkjet printing 
- Understanding the textile market 
- Trend predictions and trade shows 
- Design fundamentals like ~ drawing 
                                          ~ colour theory 
                                          ~ the various repeats from half drop to mirror 
- Creating a motif block repeat in Photoshop 
- Block repeat using offet filter 
- Creating half drop repeats
- Developing your drawings through composition, scale and filters 
- Discusses stencil printing, paper stencils, photographic stencils, relief printing, transfer printing, direct and indirect transfer printing, collagraph printing, digital printing, mono printing, reactive mono printing, direct and indirect mono printing
- Surface manipulation and visualisation  
- Colour seperations for screen printing    
- Manufacturing methods and materials 
- Talks of fabrics like ~ silk
                                ~ wool 
                                ~ cotton 
                                ~ linen
                                ~ synthetic and man made 
- Dyes and pigments 
- Discusses digital printing and screen printing
- Sustainability 
- Discusses freelancing, design studios, textile manufacturers, textile converters, garment suppliers, contract furnishings 
- Designer case studies 
- Becoming a printed textile designer ~ having a website
                                                          ~ digital portfolio 
                                                          - how to present your CV 
                                                          - Selling designs 

3. Digital Textile Printing - by Melanie Bowles and Ceri Isaac 
Includes: 
- Discusses digital, inkjet, sublimation and other styles of printing 
- Advantages and disadvantages of digital printing 
- Digital printing technology 
- Discusses drawing, using a graphic tablet and photography 
- Tutorials in using Photoshop filters, creating complex colour blends, building floral motifs, engineered prints, photomontage, sequin effect, building a brush palette, creating a colour palette
- Repeat tutorials in Photoshop and Illustrstor from basic block(with offset filter), half drop and half drop motif
- Creating gingham, stripes and plaid patterns 
- Pen mapping tool 
- Line drawing 
- Creating graphic silhouettes
- Discusses Devore, foiling, flocking
- Designer case studies  

New Fashion Find

I love finding new prints or brands to fall to keep my eye on for what they do next or follow along their journey. I sit and wonder "how was that done?", "what was there starting point?", "can I do that?".

Having recently come across my new find via my personal Facebook I am asking myself just these questions and fallen head over heels for the next seasons designs from C S'tudio London.
This men and womenswear fashion brand is qwned and created by Limin Han and Xi Zhu. "They use their oriental heritage to merge it with European romanticism and modernism to reveal their concepts through a focus on print design".

It is their A/W 2014 prints that has grabbed my attention. The digital manipulation draws your eye in alongside the deep boldness of dark colours that blend so easily together. The collection of prints are printed on silk (my favourite fabric to print on) and I can only imagine how beautiful they look in person. If my bank balance allowed me to splash on these pieces I know a few would be in my wardrobe.

Visit their website or Facebook page for more information and stockists.








Pre- Fall 2015

With the stores getting ready for the Spring/Summer fashion season it is time at work to start designing from the Pre-Fall collections.

It is quite excitement to get my teeth in to doing some in depth print designing from these amazing shows for a very well known high street store. There were so many key trends to not miss out on from retro florals, oversized florals, paisley, geometrics, print mixing and more. I've been working from Erdem and Carolina Herrera this past week.
Carolina's mix of filtered and hand drawn florals was definitely an exciting challenge for me, alongside Erdem's one floral flowing repeat. But, with successful outcomes, it has made me pretty excited to design some new prints next week and explore what other methods of design (from hand drawn to digital manipulation) that I can try.



Placement | Week 8


This week is my final week of placement and I still cannot believe how quickly it has gone by. I was so worried about how it was all going to go back in July, but I could not be happier with everything I have learnt and the two months I have spent in an incredible studio with some very talented and hard working people. 
From asking a lot of questions, watching, being patient and getting the chance this week to design myself has made me realise how much I love to design and want to work hard to make it my career. The last two days of designing have been mind blowing in terms of what I have learnt and things I wish I had known how to do back at the beginning of my third year of University. 

It's a very fast paced way of designing, as it is for the high street, and normally it would take me days to design the work I have in just a few hours. I've learnt that I just need to be less precious and throw caution to the wind to get results and outcomes that meet the industry I am aiming to work for. I need to be more strict with myself on making decisions on placement, techniques, colours etc and, if worst comes to worst, I can start from scratch if I truly need to.

I cannot recommend doing a placement in a fast-paced creative studio enough, especially if you are between second and third year of University because the skills you gain will definitely aid you work in your final collection. 

At the end of the week I will have produce an animal print group and made garment fronts out of them to go on sales appointments after I am gone and it has really got me excited for what is ahead on my next placement and in any future placements I take on.

Designing With A Graphic Tablet

Since buying my Wacom graphic tablet in the early days of my placement I have seen a small change in not only my approach to designing, but the outcome as well. I feel like I take the task of designing something more seriously and have more patience with working on a good repeat. Using the graphic tablet, despite the small size, allows me more freedom to work tools such as different brushes to achieve various lines, lasso tool, rotation, effects and so much more. I was inspired to get one after seeing how the designers at Pattern use them and the ability it give you to have more freedom in terms of what you can design. It is literally like drawing on a piece of paper … except its on a screen. I highly recommend anyone in design to get one.






New Experimental Designs

After seeing on placement the amazing prints the designers are creating with their graphic tablets and asking about them so much I decided, with some spare pennies, to go and buy a small one to get the ball rolling and start practising with … And I am so glad I did. The possibilities and the creativity you can achieve with a graphic tablet are endless and I am having fun exploring how I can push myself. I have a renewed excitement about design if you will.

I have quickly put together over the past few days two new florals designs, both very different but both using the brush tool to create the florals and colour them in.



LK Bennett | Winter Florals | Inspiration

When I arrived in St. Pancras yesterday on my move to London, I walked past all the shops as usual and was actually overwhelmed when I came to LK Bennett and saw their new floral print. It is beautifully stylistic and so feminine. It shouts LK Bennett at you … and I want it. I can guarantee every time I see this print I will want to just stare at it for a while to take in all the detail and the soft play of colours. The print, as part of their Winter Florals collection, is on skirts, shirts (my favourite) and dresses.


Set your style in bloom even in the coolest climes with our new season Aurora floral print. Inspired in part by wintry flora and also by the Aurora Borealis light display from which it draws its name, this painterly pattern will enliven every look. From dinner to dancing, we spotlight the pieces guaranteed to become your Prince Charming. - LK Bennett





Go and shop the collection and more beautiful prints over at LK Bennett

Geometric Prints





Prints On Phonecases



Shelley Steer | Inspiration

I recently came across Shelley Steer's work on Pinterest and was instantly amazed at her talent. Her website is a widespread combination of detailed, simplistic prints for fashion in various colour ways and print combinations of digital and hand processes. Her work has a sense of free expression with mark making strands of colour (Image 1) with a strong contrast of a photographic look that draws in the eye in deeper with colour and sharpness (Image 2). Despite some prints reminding me of some work by Peter Pilotto, I feel Steer's work is quite refreshing and new to look at, with an added sense of freedom and difference.






Prints On Garments






New Designers 2014

I have been going to New Designers since I was at college and loved going every year. I get so excited and inspired by the variety of talent there and am like a magpie when it comes to the printed textiles work. 


This year was no exception and I wanted to see as much as I could, speak to as many people as I could and get more inspiration for freelancing and future work. I also find New Designers quite difficult in terms of not comparing yourself to others and I found this year no different. It is hard to not compare yourself to others but you have to remind yourself that, as an individual, you will have your own style and way or working around things and learning to accept that… Which does get easier.

Two girls I follow on Instagram were showing this year and I finally got to meet them and say congratulations and well done.

Firstly, I met Hayley Neil from Somerset College. She has a lovely personality and such passion when she spoke about her work. Her prints were so eye catching and came in an array of beautiful colours. Hayley had also made gorgeous and very sellable clutch bags and jewellery which enhanced her work even more.



Secondly, I met Samantha Booth from Cleveland College of Art and Design. Her work is colourful and so well put together right down to the last detail. Her style stands out, is very commercial and really inspiring. I would have loved to seen some her of garments, which sadly weren't there. 
It was interesting talking to Samantha and hearing about how she works, what she does and her experiences so far. She too had done a placement at Pattern (where I am going next month) so she offered me advice and told me things that she did whilst she was there. 




Isla Muir from Glasgow School of Art was another Graduate who work caught my eye. Her use of colour, placement and repeat was something I found inspiring. It wasn't over complicated, yet not simple either and had a perfect combination of detail and layering.


I stumbled across Jess Thompson's work after the millionth time of walking around and it took my breath away. It was perfection on wallpaper. Her precision on detail, pattern and repeat were flawless and the collection was one of the strongest I had seen. I admired her use of colour, I am someone that loves bright and bold colours so to see something like this with natural colours was interesting to for me to re-think how I use colour in my collections.




Danielle Walters from UCA University of the creative arts Farnham was a lovely Graduate to meet and her work made me speechless. With a strong collection based around the London Eye she is sure to go far. I think, because I have not done a lot of geometric work, to see some interesting prints based around geometrics and for Danielle to show how successful you can achieve this style was encouraging. 




Sophie Tattersall from De Montford produced some beautiful floral work and was my favourite floral collection because of her neutral palette, flowing repeats and impressive detail of layering. Her presentation in her stand was also key to me seeing her as it was simplistic and natural, which was very fitting.







One person I throughly enjoyed speaking to was Ruby Marquet Horwood, who was exhibiting in the One Year On section at New Designers after showing with her University last year. What caught my attention was her fluid, yet graphic contrast of prints. Speaking to Ruby was a highlight of my day, she spoke with such passion about textiles and her eagerness to work for herself with such determination. She encouraged me to just keep going, building contacts and working on placements. She is somebody I would love to hear a success story from as I think she is so talented with a desire to succeed. 

Other Graduates I looked at: 
Charlotte Titterton (Nottingham Trent)
Lucy Annabel Jones (Birmingham) 
Sara Mitchell (Leeds)
Amy Jessica French (Norwich University
Shivani Patel (Leeds) 


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